| Bibliography |
|
2007 |
Saltz, Jerry. "Back From the Brink" New York Magazine and Artnet.com, Sept. 2007. |
| Landi, Ann. "Drawing Connections: Modernist Masters Look to the Past," Fine Art Connoisseur. November/December 2007: p. 46-49. | |
| Lovatt, Anna. "Intersection," October 122, Fall 2007: p 31-52. | |
| Genocchio, Benjamin. "A Museum Shows How It Played Catch Up," The New York Times, August 31, 2007 | |
| Rubenstein, Raphael. "It's Not Made by Great Men." Art in America, September 2007:p61-67. | |
| What is a Line? brochure to accompany the exhibition. Yale University Art Gallery, May 1 - July 22, 2007 | |
| Ravenal, John B. "Modern and Contemporary Art at the Virginia Museum of Fine Arts." Richmond, Virginia Museum of Fine Arts, 2007: p. 208 | |
| "Corpse of Time." www.artcal.net. May 2007 | |
| Wagner, James. "Ben La Rocco curates at Janet Kurnatowski." jameswagner.com. June 3, 2007 | |
| Malloy, Nancy (editor). "The 182nd Annual Exhibition of Contemporary American Art." New York: National Academy, 2007 | |
| Saltz, Jerry. "Get Me a Brush, Stat!" New York Magazine, 23 April 2007: p.86-87. | |
| MacAdam, Barbara A. "The New Abstraction." ArtNews, April 2007: p.110-115. | |
| Smith, Roberta. "Parting Thoughts From a Master of the Ephemeral." The New York Times: nytimes.com, 21 April 2007: Art Reviews: Sol Lewitt: Drawing Series. | |
| Saltz, Jerry. "Written On The Wall and In the Wind." Artnet.com. April 2007. | |
| Robinson, Walter. "Weekend Update by Walter Robinson." Artnet.com. 16 March 2007 | |
| Ayers, Robert. ""High Times, Hard Times" at the National Academy." Artinfo.com. 7 March 2007 | |
| Rockburne, Dorothea and Lynda Benglis. "High Times, Hard Times." Interview. Leonard Lopate Show. WNYC, New York, NY. 27 Feb. 2007. | |
| Smith, Roberta. "Painting in the Heady Days, After It Was Proclaimed Dead." The New York Times, February 16, 2007. page E42. | |
| Plagens, Peter. "Class Reunion." Artforum.com. 19 Feb. 2007: Diary | |
2006 |
Rose, Barbara. "A New Iconography for Abstract Art." Art & Antiques, December 2006: p.121. |
| Bock, Duncan (editor). Individuals: Portraits from the Gap Collection, New York: Melcher Media, 2006: p. 141 | |
| Siegel, Katy (editor). High Times, Hard Times, New York Painting 1967-1975, New York: iCI/D.A.P. (Distributed Art Publishers, Inc.), 2006 | |
| Farthing, Stephen (editor). 1001 Paintings You Must See Before You Die, London: Quintet, 2006: p. 890 | |
| 2005 | Allen, Greg. “The
X Factor,” The New York Times, Arts and Leisure, May 1, 2005, pp.
1. 42. |
| Sets, Series, and Suites, Contemporary Prints, catalogue to accompany exhibition. Ackley, Clifford S. (Curator of Prints and Drawings), Museum of Fine Arts, Boston, January 19 – May 30, 2005, checklist 45, with reproduction. | |
| Boca Raton Collects, A Visual Feast of Promised Gifts and Bequests, Selections from the Dani and Jack Sonnenblick Collection and the Isadore Friedman Collection, catalogue to accompany exhibition. Blazier, Wendy M. (Senior Curator), Boca Raton Museum of Art, January 26-April 17, 2005, p. 12, with reproduction. | |
| 2004 | “Dorothea Rockburne and Klaus Kertess in Conversations with Bill Bartman,” The Brooklyn Rail, December 2004 – January 2005, pp.22-23. |
| Cooper, Bernard. “Bare Essentials, Minimalism reveals surprising vitality in MOCA’s massive retrospective,” Los Angeles Magazine, Arts Section, pp102-104. | |
| Bois, Yve-Alain. “Black-Box Theater, Specific Objections,” Artforum International, Summer 2004, pp. 194-203, 289. | |
| Dove, Amy. “A Minimal Future? Art as Object 1958-68, MOCA Los Angeles,” Flash Art, Vol. XXXVIII, No. 236, May-June 2004, p. 78 | |
| Lacayo, Richard. “Blunt Objects,” Time Magazine, May 24, 2004, pp. 75-76. | |
| Schjeldahl, Peter. “Bare Minimal, Views from New York and Los Angeles,” The New Yorker, May 3, 2004, pp. 108-109. | |
| Haithman, Diane. “Little Goes a Long Way,” Los Angeles Times, May 2004, Calendar Section. | |
| Richards, Judith Olch (editor). Inside the Studio, Two Decades of Talks with Artists in New York. Independent Curators International (ICI), New York, NY. Pages 154-157. | |
| 2003 | Temin, Christine, "A Different Dimension of Serra," The Boston Globe, December 17, 2003, p. E7. |
| Davis, Reed, "The Morning After," ArtForum, March 2003, p. 210. | |
| "Design Academicians," The New York Sun, Arts & Letters Section, March 3, 2003. | |
| Saltz, Jerry, Out of Line,The Village Voice, June 27, 2003, p. 27. | |
| Waltemath, Joan, "in conversation: John Yau with Joan Waltemath," The Brooklyn Rail, Art Section, April, 2003. | |
| 2002
|
Wei, Lily. Watching the Skies, except from Art in America, April 2000, p. 132, ARTEMIS Fine Arts, 2003, p. 60-61. |
| Reed, David, "The Morning After", ArtForum, March 2003, pg. 210. | |
| Johnson, Linger, Art Guide, The New York Times, June 28, 2002 | |
| Dunham, Carroll, "Road Fool," Artforum, October 2002, pg. 136. | |
| 2001
|
Brenson, Michael, Visionaries and Outcasts: The NEA, Congress, and the Place of the Visual Artist in America, New York, The New Press, 2001. |
| Ratcliff. Carter, "Paper Remade in 1960s conceptualism," Art on Paper, April 2001, p. 54-61. | |
| Saltz, Jerry, "Wall Power," The Village Voice, January 30, 2001, pg. 69. | |
| Reed, David, "Making Waves", Artforum, October 2001, pg. 122. | |
| 2000
|
Glueck, Grace, "Six Abstract Artists at the Millenium", Art in Review, The New York Times, February 18, 2000, pg. E44. |
| Lloyd, Ann Wilson, "Allowing a Long-Interred Past Out of Its Containers" The New York Times, March 12, 2000, Art/Architecture, pg. 25. | |
| Ratcliff, Carter, Out of the Box: The Reinvention of Art, 1965-1975, New York, Allworth Press, 2000. p. 96-97, 274 (Drawing Which Makes Itself, illustrated, pg. 94). | |
| Smith, Roberta, "Dorothea Rockburne "10 Years of Astronomy Drawings, 1990-2000Õ" The New York Times, March 24, 2000 | |
| Wei, Lilly, "Watching the Skies," Art in America, April, 2000, p. 128-133. | |
| Zimmer, William, Connecticut Supplement of the New York Times, March 13th, 2000. | |
| 1999
|
Bee, Harriet Schoenholz (ed.), MoMa Highlights, New York: Harry N. Abrams, 1999, page 277 (Scalar illustrated). |
| Butler, Cornelia, Afterimage: Drawing Through Process. Cambridge, MA: The MIT Press, 1999. | |
| Friends of Art and Presentation in Embassies Newsletter, vol. 3, no. 1, Fall 1998/ Winter 1999. | |
| Rowe, Noel, "A Sampling of Americana" The Southampton Press, August 26, 1999. | |
| Smith, Roberta, "Conceptual Art: Over, and Yet Everywhere," The New York Times, Sunday, April 25th, 1999, Art and Leisure, page 1, 38. | |
| Smith, Roberta, "Art Rediscovers a Home On the Upper East Side," The New York Times, Friday, April 30, 1999, Weekend, Fine Arts Leisure, page E31. | |
| Wei, Lilly. "The Art of Comets." Essay for brochure The Art of Comets, University of Michigan, Ann Arbor, MI, 1999. | |
| 1998
|
Bradley, Karla and Schwartz, Joyce (eds.). Defining Structures. Charlotte, North Carolina; LaSalle Partners at Nations Bank. |
| Brody, Jacqueline (ed.). Paper. Works on Dieu Donné Paper. New York, NY: Published and organized by Dieu Donné Papermill, Inc. | |
| Cajori, Marion, "Chuck Close: A Portrait in Progress," MUSE film and Television and The Art Kaleidoscope Foundation and Thirteen/WNET; 1998. | |
| Carrier, David. Garner Tullis and the Art of Collaboration. New York: David Carrier, 1998. P. 134. (Untitled Monoprint with Pastel 1992-94). | |
| Cotter, Holland. "An Era Still Driven to Abstraction," Art Review, NY Times, 1997. | |
| Ehrhart, Shannah (ed.) After the Fall: Aspects of Abstract Painting Since 1970. New York, NY: Milanostampa. p. 92, 147. | |
| Fine, Ruth E. Thirty ŠFive Years at Crown Point Press: Making Prints, Doing Art. Los Angeles, California; University of California Press, p. 82, 88. | |
| Fichner-Rathus, Lois, Understanding Art/Fifth Edition. Engelwood Cliffs, NJ; Paramount Publishing (Arena IV), p. 41. | |
| Kesten, Joanne (ed.) The Portraits Speak; Chuck Close in conversation with 27 of his Subjects. New York, NY: Art Press. | |
| Newhouse, Victoria, Towards a New Museum, New York, NY; The Monacelli Press Inc., p. 50, 74, 75. | |
| Nicholson, Stuart. "Dorothea Rockburne, Choosing Figures of Significance," Cover Magazine, (photo: Timothy Greenfield-Sanders), August 1997, Vol. 11, #3, p. 30. | |
| Scobie, Ilka, "Broome Street Walkabout" NY Arts. New York, NY; May 1998. | |
| Sewall-Ruskin, Yvonne, "Too Bad We’re Not in Max’s Kansas City Anymore", New York Magazine, November 9, 1998, p. 39-40. | |
| Wilkinson, Jeanne. "After the Fall: Aspects of Abstract Painting Since 1970," Review Art Magazine, May 15, 1997. p. 11-12. | |
| 1997
|
Sterling, Susan Fisher, Women Artists, Abbeville Press, p. 260-261. |
| 1996
|
Berriolo, Elena and Flexner, Ronald. "Art in the Folds," New Observations, Issue #10, Jan.-Feb. 1996, pg. 16 (Egyptian Painting Saggarah, 1979). |
| Gardner, Paul. "Pleasure, Pain & Protocol." ARTnews, March 1996. | |
| "More Than Minimal: Feminism and Abstraction in the 70s," Best of Boston (review of catalog), Boston Magazine, August 1996. | |
| Morton, Adam. Philosophy in Practice. Cambridge, Massachusetts: Blackwell Publishers Inc. Cover illustration. | |
| Piras, Sebastiano. Artists Exposed. Nuoro, Italy: Ilisso, 1996. | |
| Stapen, Nancy. "More than Minimal: Feminism and Abstraction in the ’70s," Artnews, September 1996. p. 138. | |
| Unger, Miles. "Needful Things: Feminism and Abstraction," Art New England, August/September, 1996. | |
| Wilson Lloyd, Ann. "More Than Minimal: Feminism and Abstraction in the ’70s," review, Sculpture, October 1996. p. 62-63. | |
| 1995
|
Art Now Gallery Guide,"The Emotional Life of Trees" at Tricia Collins - Grand Salon, May 1995, p. 26. |
| Bloch, Ricardo (Ed.) Mortal Remains. Ricardo Bloch and Don Celender, 1995. | |
| Danto, Arthur C."In With the Out Crowd," Artforum, March, 1995 p. 12. | |
| Fichner-Rathus, Lois. Understanding Art/ Fourth Edition. Engelwood Cliffs, NJ: Paramount Publishing (Arena IV) p.39,41. | |
| Goodman, Jonathan. "Top of the Heap, A No. 1," The Gazette, Montreal, Saturday May 6, 1995, Section G, p.4. | |
| Hagen, Charles. Review, The New York Times, May 26, 1995. | |
| Lucie-Smith, Edward. ArToday, Regents Wharf, London: Phaidon Press Limited. p. 324-326 . | |
| Zimmer, William. "Dreams, Landscapes and Wall Paintings" The New York Times. Sunday March 19, 1995. p. 26. | |
| 1994
|
Beckett, Sister Wendy. The Story of Painting. New York: Dorling Kindersley Ltd., 1994. p. 379 (Capernum Gate). |
| Bergmann, Meredith. The New York Review of Art, Vol. I, No.2, April 1994. p. 16. | |
| Glueck, Grace. "Gallery Watch," The New York Observer, (Emmerich review), February 7, p. 18, 1994. | |
| Goodman, Jonathan. "Dorothea Rockburne," Artnews, (Emmerich review), April, p. 162, 1994. | |
| Green, Denise. "Painterly Thought and the Unconscious," (Katz, Stella, Rockburne), Art Press, 188 International Edition, photographs p.E4 and E6, February, p E1-E6, 1994. | |
| The New Yorker (Emmerich Review), February 7th, p.20. | |
| The New Yorker, (Emmerich review), illustration, February 21st, p. 22. | |
| New York Newsday, "For Art Lovers," Part 2, A 57th Street UserÕs Guide (Emmerich review), January 21, 1994. | |
| Ocvirk, Otto, et al. (Eds.) Art Fundamentals. Madison, WI: Brown & Benchmark, 1994. pp. 65, 73. | |
| Smith, Roberta. " Dorothea Rockburne," The New York Times, Art in Review, Friday February 11, 1994 p. C36. | |
| Stagnos, Nikos (ed.), The Thames and Hudson Dictionary of Art and Artists, New York, 1994, p. 309-310. | |
| "The Print CollectorÕs Newsletter" (Monoprints review), September-October 1994, p. 147. | |
| Wei, Lilly, "Dorothea Rockburne, Stargazer, " Art in America, October 1994 , pages 110-113. | |
| Westfall, Stephen. "Space Extending," Essay for Catalogue: Painting from Nature Exhibition, Andrˇ Emmerich Gallery, 1994. | |
| Zellen, Jody. North California "ArtScene"(Fred Spratt Gallery review), July/ August, 1994, p.4- 5. | |
| 1993
|
Adams, Brooks. "The High Windows, Dorothea Rockburne’s Skyscapes," ARTFORUM, PhotographÕs by Tina Barney, May 1993, p. 78-82. |
| Brozan, Nadine. "Chronicle- U.S. delegate to United Nations holding party to show off some art," The New York Times, June 22, 1993. | |
| Deuthsch, Claudia H., "Carving Chippendale Into the Sony Image," The New York Times, Sunday February 21, 1993, Section 10, p.1, 13. | |
| Essex, Andrew, "Sheltering the Sky," The New Yorker, April 5, 1993, p.17. | |
| Gan, Stephen. "Dorothea Rockburne," SOHO JOURNAL, (Published by the SoHo Partnership), Fall 1993, photographs and contribution, p. 50-53. | |
| Goodman, Jonathan. "Reaching for the Sky," The Gazette, Photograph by Barbara Yoshida, Decmenber 24, 1993, Art Section. | |
| Kramer, Hilton. "Sony to ’Michelangelo’: Just Stick It In the Corner", The New York Observer, March 1, 1993, p. 1 cont. on p.19. | |
| Manhattan Arts, photographs by Ivan Valtchev, Summer 1993, p. 23. | |
| Metro, Santa Clara Valley’s Weekly Newspaper, "Editor’s Choice- Best Surprise Inside A Crackerjack Box," September 30-October 6, 1993. | |
| Nathan, Jean. "Game, Set and Perspective," New York Times, May 16, 1993, Styles section of Sunday Times. | |
| Pomerance, Murray. "Dorothea Rockburne; A Canadian Star Shines in New York," Canadian Art, Fall 1993, Volume 10, No. 3, p. 47-51. | |
| Saunders, Wade. "Making Art Making Artists," Art In America, January 1993, p. 88-89. | |
| The New York Times, Sunday, February 21, 1993, Section 10, p. 1 cont. on p. 13. | |
| 1992
|
AMACADMY, Newsletter of the American Academy in Rome. Summer 1992, p. 14. |
| American Art, 1930-1970, Fabbri Editori (Gruoop Editoriale Fabbri, Bompiani, Sonzogno, Etas SpA, Milano, 358416),1992, p. 315. | |
| Art in America, February 1992, p. 24, illustrated. | |
| Betti, Claudia and Teel Sale. Drawing: A Contemporary Approach, (New York: CBS College Publishing, 1986), p. 220. Second printing, page 63. | |
| Danto, Arthur C., "What happened to Beauty?" The Nation, March 30, 1992, p.418-421. | |
| Independent Curators Incorporated, "International Associates Bulletin," Spring July 1992, p.103. | |
| Kimmel, Roberta. In Artists’ Homes. New York, New York: Clarkson Potter. | |
| Nauman & Gobel. Art of This Century, A Drwaing Which Makes Itself, 1992. | |
| Rose, Barbara. "The Abstract Art Renaissance," Art & Auction, April 1992, p. 36-40. | |
| Simmons, Casey Fitz. "Dorothea Rockburne," Artweek, January 30, 1992, p. 11-12. | |
| Strickland, Carol, "For Vincente, at 89, ’No End’ to Maturing," The New York Times, Sunday April 26, 1992. | |
| Westfall, Stephen. "Dorothea Rockburne at Andre Emmerich," Art in America, (photograph Parameters and Perimeters) July, p.103, 1992. | |
| Women Artists: 1992 Engagement Book/Calendar, (New York: Abbeville Press, 1991). | |
| "’The Dream of Egypt’: The Influence of Ancient Wisdom on Modern Art," The Journal of Art, May 1991, p. 14. (illustration only: Egytian Painting: Sepa). | |
| 1991
|
Annual Exhibition, School of Fine Arts, catalogue American Academy In Rome (photograph of Magenta Light), 1991. |
| Brenson, Michael. "Concentrated Passion of the Circle and the Square," New York Times, February 15, 1991, p. C18. | |
| Burkhart, Dorthy. "Gallery Walls with a Wallop," San Jose Mercury News, November 24,1991, pp. 9, 15. | |
| Contemporary American Women Artists, Cedeco Publishing Company, San | |
| Jones, Alan, "Books in ArtistsÕ Lives, Part II," Arts, February 1991, p.25. May 1991, p. 73. | |
| Morgan, Robert C. "Dorothea Rockburne," (Emmerich review), Arts, Rafael, CA . 1991), p.70 - 73. | |
| Sherman, Anne Elliot. "Curves Ahead," Metro, November 27-December 4, 1991. | |
| Slesin, Aviva, "Voices in Celebration," Aviva Films, New York & the National Gallery of Art. 1991. | |
| The Artist Observed: 28 Interviews with Contemporary Artists, (New Jersey: a capella books, 1991), p.307-314. | |
| Wilson, William. "Famous Figures Relax With Cut, Paste," Los Angeles Times, Calendar, Section F, January 25, 1991, p. F17. | |
| Women Artist: Address Book, (New York: Abbeville Press, 1990) | |
| 1990
|
Bass, Ruth. Reviews, "Dorothea Rockburne," (Emmerich review), Art News, April 1990, pp. 160-161, illustration p. 161. |
| |
Brenson, Michael. "New Curator at Modern Challenges Convention," New York Times, December 28, 1990, p. C26. |
| Brenson, Michael. "Papyrus and Pyramid Power in Art," International Herald Tribune, January 6-7, 1990, p. 5. | |
| Collins, Amy Fine. "Dorothea Rockburne at Emmerich," (Emmerich review), Art in America, April 1990, p. 259. | |
| Cyphers, Peggy. "New York in Review," (Emmerich review), Arts Magazine, March 1990, p.114, reproduction p.113. | |
| Lyon, Christopher, editor. "Contemporary Art in Context," The Museum of Modern Art, p. 61. | |
| Ostrow, Saul. "Dorothea Rockburne," (Emmerich review), Flash Art, May/June 1990, p. 154, illustration p. 155. | |
| Preston, Sandy. "Art Gallery International, Book Review," The Contemporary CollectorÕs Magazine, April 1990, (review of "Lines of Vision"catalogue). | |
| Review of Cut-Ins. Mizue, Autumn 1990. | |
| Rockburne, Dorothea. "Light in Geometry, A Project for Artforum by Dorothea Rockburne," Artforum, May 1990, pp. 142-144. | |
| Yau, John. "Light and Dark," Introdution for the exhibition catalogue, " Dorthea Rockburne: New Work : Cut-Ins," Andreé Emmerich Gallery, New York, December 2, 1989-January 2, 1990. | |
| 1989
|
Abstraction, Geometry, Painting, exhibition catalogue (accompanying travelling show "Abstraction, Geometry, Painting" organized by the Albright-Knox Museum, Buffalo, N.Y.) with an essay by Michael Auping, Harry N. Abrams, Inc. New York, in association with Albright-Knox Art Gallery, 1989, pp. 176-177. |
| ArtNews Advertising Supplement, ArtNews, October 1989, p. 190. | |
| Art Now Gallery Guide, Boston/ New England Edition, May 1989, p.27, listing of Rose Art Museum exhibition. | |
| Brenson, Michael. "Egyptian Art is Alive and Well in the West," New York Times, Arts & Leisure Section, December 31, 1989, p.33. | |
| Carlock, Marty. "Rockburne’s week is more complex than it seems," (Rose Art review), The Wayland-Weston Town Crier, June 1, 1989, p. 34. | |
| Giuliano, Charles. "Shapes and Colors," (Rose Art review), The Tab, May 30, 1989, p. 49. | |
| Giuliano, Charles. Rose Art review, Art New England, July/August 1989, p. 32. | |
| Gonzalez, Manual. Schedjahl, Peter (editor), "A Biennial Of Our Own," 7 Days, May 3, 1989, pp. 26-27. | |
| Jones, Nancy. "Lives of the Artists," New York Woman, May 1989, pp. 80-81. | |
| "New York Preview- Dorothea Rockburne at Andreé Emmerich Gallery," Art Now Gallery Guide, New York Edition, December 1989, p. 5. | |
| Rose Art Museum; Yau, John. | |
| Stapen, Nancy. "Dorothea Rockburne," (Rose Art review), Art News, September 1989, p. 185. | |
| Stapen, Nancy. "Rockburne an Eye Opener," (Rose Art review), The Boston Herald, June 9, 1989. | |
| Sterling, Susan Fisher. "A Conversation with Dorothea Rockburne," (interview), Newsletter, The National Museum of Women in the Arts ,Washington, D.C., Volume VII, No. 2, Summer 1989. | |
| Taylor, Robert. "Dorothea Rockburne Exhibition is First-rate in Every Way," (Rose Art review), Boston Globe, June 4, 1989, p.A3. | |
| 1988
|
Beckett, Wendy. Contemporary Women Artists, (Oxford:Phaidon Press, 1988), p.94. |
| "Art Prices: Selling," Seven Days, April 6, 1988. | |
| Bijutsu Techo, October 1988, vol. 40, no.600, pp. 176-178. | |
| Brenson, Michael. "Dorothea Rockburne," New York Times, March 18, 1988, p. C29. | |
| Brenson, Michael. "A New-World Painter Views the Masterpieces of Old-World Innovators," New York Times, April 29, 1988, pp. C1, C36. | |
| "For the Artists of the 1980’s, Pop and Minimal Still a Guiding Spirit," New York City Tribune, March 25, 1988. | |
| Haus, Mary Ellen. Review, Art News, Summer 1988, p. 71. | |
| Higuchi, Sholchiro. "Series 8-1, 2,3: Art in New York Today," IDEA International Art Advertising Magazine, September 1988, Tokyo, Japan, p. 106. | |
| Kaufman, Jason. "Art, Dorothea Rockburne, New Paintings," New York City Tribune, March 25, 1988, p. 10. | |
| Larson, Kay. "What Price Glory?" New York, March 28, 1988, p. 78. | |
| Loughery, John. " Dorothea Rockburne," Arts Magazine, May 1988, p.92. | |
| Mennekes, Friedhelm. "Dorothea Rockburne : Schweigende Bilder," Spuren des mystichen in der modernen kunst, February 1988, pp. 102-103. | |
| Ostrow, Saul. "Dorothea Rockburne," (interview), Bomb, Fall 1988, pp. 30-35. | |
| Review of André Emmerich catalogue, The Print Collector’s Newsletter, May- June 1988. | |
| Smith, Roberta. Review, New York Times, January 13, 1988. | |
| Storr, Robert. " Rockburne’s Wager," Pascal and Other Concerns, introduction to the catalouge for show, André Emmerich Gallery Inc.,March 5, 1988. | |
| Tuchman, Phyllis. "An Artistic Synthesis of Old and New," Newsday, March 24, 1988, pp. 20-21. | |
| 1987
|
Abadie, Daniel (ed.).Le cadre & le socie dans l’art du 20eme siecle, (Paris: Musee Nationald’Art moderne, Centre George Pompidou, 1987). |
| Artner, Alan G. "Exhibit Provides and Update on Rockburne," Chicago Tribune, February 6, 1987, Section 7, p. 51. | |
| Brenson, Michael. "Art," The New York Times, The Guide, March 9, 1986. p. 2. | |
| Field, Richard S. and Fine, Ruth E. A Graphic Muse: Prints by Contemporary American Women, Hudson Hills Press, New York, 1987. | |
| Gruen, John. "Artist’s Dialogue: Dorothea Rockburne," Architectural Digest, February 1987, pp. 40-47. | |
| Harris, Mary E. The Black Mountain College, M.I.T. Press, Cambridge,MA. | |
| Jones, Amelia. "Room for Conceptual Experimentation," Art Week, December 20, 1987. | |
| Raynor, Vivien. "Exhibitions of Prints at Yale by Women and French Artists," The New York Times, Art Section, December 27, 1987. | |
| Robinson, Walter, compiler, "Victor Ganz," ArtWorld, December 1987, p.176. | |
| Smith, Roberta. "Art: Legendary Influence of Black Mountain College," The New York Times, p. C26, December 4, 1987. | |
| 1986
|
Betti, Claudia and Teel Sale. Drawing: A Contemporary Approach, (New York: CBS College Publishing, 1986), p. 220. |
| O’Doherty, Brian. "Shapes of Desire," essay for catalogue to the exhibition, "Dorothea Rockburne, A Personal Selection, Paintings 1968-1986, Xavier Fourcade, Inc., New York, NY | |
| Boettger, Suzan. "Dorothea Rockburne," Artforum, Summer 1986, pp. 129-130. | |
| Brenson, Michael. "Art," The New York Times, The Guide, March 9, 1986. p. 2 | |
| "Creativity: Six Perspectives," Dialogue: An Art Journal, vol. 9, no. 5, September/ October 1986, p.73, illustration. | |
| Grubb, Nancy. American Watercolors. New York: Cross River Press, 1986. pg. 279. | |
| Gruen, John. "Dorothea Rockburne’s Unanswered Questions," Art News, March 1986, pp.97-101. | |
| Gruen, John. "A Beckoning Stillness," Architectural Digest, February 1987, pp. 40, 44, 46. illustration. | |
| Nygren, Edward, Et al. (Eds.) American Masters. Washington D.C.: Corcoran Gallery Of Art, 1986. P. 98-101. | |
| Philadelphia Collects Art Since 1940, Philadelphia Museum of Art, Philadelphia, 1986, p. 93. | |
| Rockburne, Dorothea. Statement by the artist. White Walls, A Magazine of Writing by Artists, Spring 1986, p. 51. | |
| Rose, Barbara. Twentieth Century American Painting. New York: Rizzoli, 1986. p. 141-42. | |
| Russell, John. " Dorothea Rockburne," New York Times, February 21, 1986. | |
| Sozanski, Edward J. "A Focus on Work of Six Minimalists," The Philadelphia Inquirer, Nov. 20, 1986. | |
| Stavitsky, Gail. "Dorothea Rockburne," Arts Magazine, May 1986, p.104. | |
| Storr, Robert. "Painterly Operations," Art in America, February 1986. | |
| Storr, Robert. " Dorothea Rockburne l’illusion d’une geometrie plane," Art Press, Paris, April 1986, pp.25-29. | |
| Tuchman, Maurice, ed. The Spiritual in Art: Abstract Painting 1890-1986, Los Angeles County Museum of Art, New York: Abbeville Press 1986, pp. 321, illustration. | |
| 1985
|
Bell, Jane. "Dorothea Rockburne: Xavier Fourcade," Art News, May 1985, pp.115-116. |
| Brenson, Michael. " Dorothea Rockburne," New York Times, March 1, 1985. | |
| Cohen, Ronny. "Dorothea Rockburne " Art Forum, Summer 1985, p.111. | |
| Glueck, Grace. "Art: Modern Shows Off Some of Best Drawings," New York Times, J anuary 11, 1985, p. C19. | |
| Lucie-Smith, Edward. American Art Now (New York: William Morrow & Co., Inc. 1985), pp.21,156. | |
| Melot, Michel and Antony Griffiths and Richard S. Field. Prints, History of an Art, (New York: Skira, Rizzoli 1985). | |
| The Museum of Modern Art, New York, Henry N. Abrams, Inc. New York. 1984. reproductions p. 250 and 320. | |
| 1984
|
Freeman, Phyllis (ed.) New Art, (New York: Harry M. Abrams, Inc.,1984), p. 159. |
| Glueck, Grace. "Art: Janis Presents American Women," New York Times, January 20, 1984. | |
| Grubb, Nancy and Pastan, Amy (ed.), Gemini G.E.L. Art and Collaboration. Abbeville Press. New York, New York. | |
| Mays, John Bentley. "A Bumpily Uneven Display of Expatriate Art," The Globe and Mail, March 30, 1984. | |
| Raynor, Vivien. "Art: A Pioneer’s Experiments with Abstraction," New York Times, April 6, 1984. | |
| Rockburne, Dorothea, "A Project by Dorothea Rockburne, Putting Together Thoughts on the New Painting," Artforum, October 1984, pp. 72-75. | |
| 1983
|
Donohoe, Victoria. "A Curious Exhibit of 20th Century U.S. Watercolors," Philadelphia Inquirer, September 16, 1983. |
| "Dorothea Rockburne at Xavier Fourcade," Art News, January 1983. | |
| Glueck, Grace. "Art: Show Honors De Kooning," The New York Times, December 23, 1989. | |
| Hall,Lee. "Material Pleasures," House and Garden, April 1983. | |
| Hapgood, Susan."Drawings: Xavier Fourcade," Flash Art, November, 1983, p. 68. | |
| Herrera, Hayden. " Dorothea Rockburne at Fourcade," Art in America , February 1983, pp. 129-130. | |
| Kuspit Donald. "Dorothea Rockburne", Artforum, March 1983, p.77. | |
| Levin, Kim. "Drawings." The Village Voice, August 9, 1983, p.56. | |
| Marden, Brice, "Dorothea Rockburne," Art News, January 1983, p.141. | |
| Russell, John. "Art: Show of Drawings at Xavier Fourcade," The New York Times, July 29, 1983, p.C20. | |
| Russell, John. "It’s Not ’Women’s Art’ It’s Good Art, " The New York Times, July 24, 1983. | |
| Smith, Roberta. "Reductivism Reduce," The Village Voice, February 22, 1983. | |
| 1982
|
Abstract Drawings 1911-1981, catalogue to accompany 1982 exhibition of selection from the Permanent Collection at the Whitney Museum of American Art, New York. |
| Architectural Digest, April 1982, p. 105, illustration. | |
| "Editors Choice: Selected Gallery Previews," Portfolio, vol. IV, no. 6, Nov./Dec. 1982, p. 22, illustration. | |
| Frank, Elizabeth. "Dorothea Rockburne at Xavier Fourcade," Art in America January 1982, p.138. | |
| Glueck, Grace. "Art," The New York Times, October 10, 1982. | |
| Goodman, Vera. "Women of the Americas Exhibit Excellence," New Directions for Women, Nov/Dec 1982. | |
| Larson, Kay."Women by a Woman," New York, November 22, 1982. | |
| Mays, John Bentley. "Rockburne Show Touches the High Points," The Globe and Mail, November 1982. | |
| Miller, Steven Paul. "Rockburne at Xavier Fourcade," The Art Gallery Scene, through Dec. 4, 1982, reproduction, "Messenger Angel: Uriel." | |
| Prints by Contemporary Sculptors, catalogue to accompany 1982 exhibition of Selections at Yale University Art Gallery, New Haven, CT. | |
| Russell, John. "In the Arts: Critics Choices," The New York Times, October 31, 1982. | |
| Smith Howard. "Here Today Gone Tomorrow," The Village Voice, November 9, 1982. | |
| Smith, Roberta. "Abstraction Simple and Complex," The Village Voice, November 23, 1982. | |
| 1981
|
Abatt, Corinne. "Paintings Destined for Brief Life," The Eccentric, Thurs. January 22, 1981 p. B1C. |
| Alexander, Chris. "Ars Brevis" (Texas Gallery review), Performing Arts Magazine, February 1981, p.22. | |
| Baker, Kenneth. "Dorothea Rockburne’s Egyptian Paintings," Artforum, April 1981, p..24-25. | |
| Colby, Joy Hakanson. "Cranbrook’s TKO," Detroit News, February 8, 1981. | |